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Lauren Lee McCarthy


Info︎

LAUREN works
  1. LAUREN
  2. SOMEONE
  3. LAUREN Portable
  4. Exhibition: You Can Say
  5. The Changing Room
  6. Waking Agents
  7. I.A. Suzie

Saliva works
  1. Exhibition: Bodily Autonomy (Saliva Bar)
  2. Saliva Retreat
  3. Saliva
  4. Testing

Surrogate works
  1. Surrogate
  2. Exhibition: Data Relations
  3. Exhibition: Reproduction Otherwise
  4. Surrogate Performance
  5. Womb Walk

Autonomous works
  1. Voice In My Head
  2. Driverless
  3. Unlearning Language
  4. 24h HOST
  5. Seeing Voices

Muted works
  1. Exhibition: I Heard Talking Is Dangerous
  2. Muted
  3. I heard TALKING IS DANGEROUS
  4. Good Night
  5. Good Morning
  6. What do you want me to say?
  7. Sleepover
  8. Later Date
  9. Appreciate You

Other recent works
  1. Follower
  2. Social Turkers
  3. Vibe Check
  4. I’m glad you asked
  5. Autoreply
  6. pplkpr
  7. us+

Teaching & pedagogy
  1. p5.js
  2. Open Source Software Toolkits for the Arts Report
  3. Web We Want (W3C TPAC)
  4. Smarter Home
  5. Network Media
  6. Performing User
  7. Senior Capstone
  8. Disability, Design, and the Web
  9. Interactivity
  10. Conversation & Computation
  11. Social Hacking
  12. Critical APIs
  13. Computational Media
  14. Introduction to Programming for the Visual Arts (Free online course)

Archive
  1. Beyond the Breakdown
  2. How We Act Together
  3. Wake Words
  4. Friend Crawl
  5. Welcomer
  6. M/WITM
  7. The Changing Room: Brisbane
  8. Social Soul
  9. You Can Say
  10. Tools for Improved Social Interacting
  11. Inactive Account Manager
  12. Facebook Mood Manipulator
  13. LOVEINT
  14. SCRIPT

Mark

Unlearning Language

 
Lauren Lee McCarthy & Kyle McDonald
In collaboration with Yamaguchi Center for Arts and Media

What does language mean to us? As AI generated text proliferates and we are constantly detected and archived, can we imagine a future beyond persistent monitoring? Unlearning Language is an interactive installation and performance that uses machine learning to provoke us to find new understandings of language, undetectable to algorithms.

The work consists of two parts: 1. an interactive installation for up to 8 people, 2. an interactive opening performance for an audience.























1. Interactive installation
 A group of participants are guided by an AI that wishes to train humans to be less machine-like. As the participants communicate, they are detected (using speech detection, gesture recognition, and expression detection), and the AI intervenes with light, sound, and vibration. Together, the group must work together to find new ways to communicate, undetectable to an algorithm. This might involve clapping or humming, or modifying the rate, pitch, or pronunciation of speech. 

Through this playful experimentation, the people find themselves revealing their most human qualities that distinguish us from machines. They begin to imagine a future where human communication is prioritized.

2. Opening performance
An opening performance provides a backstory for the installation. The audience is prompted to interact with each other and the performers.


Credits:

Photography by Kyle McDonald, Shintaro Yamanaka (Qsyum!)
Courtesy of Yamaguchi Center for Arts and Media

Concept/creative direction/technical direction: Lauren Lee McCarthy, Kyle McDonald
Technical management: Yohei Miura*.
Story/script/performance direction: Lauren Lee McCarthy
Performers: Wataru Naganuma, Mari Fukutome, Megumi Miyazaki, Chika Araki
Facial expression, gesture, and language analysis development: Kyle McDonald
Production management: Clarence Ng*
Front-end system development: Motoi Shimizu (BACKSPACE Productions Inc)
Speech analysis program development: Yuta Asai (Rhizomatiks)
Sound system/sound design: Junji Nakaue*
Lighting technology: Fumie Takahara*
Assistant director: Keina Konno*, Daichi Yamaoka*
Technical support: Mitsuhito Ando*, Yano Stage Design, Fumihiro Nishimoto
Script translation: Kyle Yamada
Spacial spatial design: Sunaki (Toshikatsu Kiuchi, Taichi Sunayama, Gaishi Kudo) Clarence Ng*
Stage: Clarence Ng*, Richi Owaki*
Visual image technology: Richi Owaki*, Mitsuru Tokisato*
Structural system work: Daisuke Iwamitsu (wccworks)
Curation: Akiko Takeshita*, Yohei Miura*, Clarence Ng*, Keina Konno*
Coordination: Hikari Fukuchi*, Menon Kartika*, Aki Miyatake, Mei Miyauchi
Exhibition supervisor: Kentaro Takaoka
Supervision: Daiya Aida*, Takayuki Ito*

*YCAM Staff

Host Yamaguchi City Foundation for Cultural Promotion
The Association of Public Theaters and Halls in Japan
Supported Yamaguchi City, Yamaguchi City Education Committee, Goethe-Institut
Funded Agency for Cultural Affairs, Government of Japan
Collaborated Rhizomatiks, BACKSPACE Productions Inc.,
Pacific Basin Arts Communication, Japan Center
Co-development YCAM InterLab
Production Yamaguchi Center for Arts and Media [YCAM]