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Lauren Lee McCarthy


Info︎

LAUREN works
  1. Exhibition: You Can Say
  2. SOMEONE
  3. LAUREN
  4. The Changing Room
  5. Waking Agents
  6. I.A. Suzie

Surrogate works
  1. Surrogate
  2. Exhibition: Data Relations
  3. Exhibition: Reproduction Otherwise
  4. Surrogate: Performance In Progress
  5. Saliva
  6. Womb Walk

Autonomous works
  1. Autonomous
  2. Unlearning Language
  3. 24h HOST

Muted works
  1. Exhibition: I Heard Talking Is Dangerous
  2. Muted
  3. Appreciate You
  4. Good Night
  5. Good Morning
  6. I heard TALKING IS DANGEROUS
  7. What do you want me to say?
  8. Sleepover
  9. Later Date

Other recent works
  1. Follower
  2. Social Turkers
  3. Vibe Check
  4. I’m glad you asked
  5. Autoreply
  6. pplkpr
  7. us+

Teaching & pedagogy
  1. p5.js
  2. Open Source Software Toolkits for the Arts Report
  3. Web We Want (W3C TPAC)
  4. Smarter Home
  5. Network Media
  6. Performing User
  7. Senior Capstone
  8. Disability, Design, and the Web
  9. Interactivity
  10. Conversation & Computation
  11. Social Hacking
  12. Critical APIs
  13. Computational Media
  14. Introduction to Programming for the Visual Arts (Free online course)

Archive
  1. Beyond the Breakdown
  2. How We Act Together
  3. Wake Words
  4. Friend Crawl
  5. Welcomer
  6. M/WITM
  7. The Changing Room: Brisbane
  8. Social Soul
  9. You Can Say
  10. Tools for Improved Social Interacting
  11. Inactive Account Manager
  12. Facebook Mood Manipulator
  13. LOVEINT
  14. SCRIPT

Mark

SOMEONE


SOMEONE imagines a human version of Amazon Alexa, a smart home intelligence for people in their own homes. For a two month period in 2019, four participants’ homes around the United States were installed with custom-designed smart devices, including cameras, microphones, lights, and other appliances. 205 Hudson Gallery in NYC housed a command center where visitors could peek into the four homes via laptops, watch over them, and remotely control their networked devices. Visitors would hear smart home occupants call out for “Someone”—prompting the visitors to step in as their home automation assistant and respond to their needs. This video installation presents documentation from the initial performance on four screens throughout the space.



closeup of one of the white laptops with it's lamp on, headphones next to it, and a "hello someone" all caps with an arrow next to the text pointing to the right on the screen.

screenshot of the hello someone interface, showing the title on the left side of the screen with subtext saing" please assist by sharing your intelligence" and bellow there are seven types of switches, two are on and the rest are off, below there are six light categories, one of which is on and is red. next to the interface there is footage taking up most of the screen, showing a person in the kitchen with a pink blouse viewing the camera, while there are two smaller footage on the top right showing the rest of their space.screenshot of the hello someone interface, showing the title on the left side of the screen with subtext saing" please assist by sharing your intelligence" and below there are eight types of switches, two are on and the rest are off, below there are seven light categories, five of which are on, three are white, one is blue and the las tone is green. next to the interface there is footage taking up most of the screen, showing two people talking in the kitchen, while there are three smaller footage on the top right showing the rest of their space.






Press
The Guardian, Hyperallergic, Engadget

Credits
Software and hardware development by Harvey Moon and Josh Billions. Interface development by Lauren Lee McCarthy. Furniture design in collaboration with and fabrication by Lela Barclay de Tolly. Smart home participant collaborators include Valeria Haedo, Adelle Lin, Amanda McDonald Crowley, and Ksenya Samarskaya. SOMEONE was created with support from a Google Focused Research Award and the Harvestworks New Works Residency. It was first exhibited at 205 Hudson Gallery as part of Refiguring the Future. Screenshots by Lauren Lee McCarthy, installation photos by Stan Narten and Otto Saxinger.

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